like to talk about this film debut of filmmaker Giuseppe Capotondi because I feel able to represent with acceptable likelihood some of those pains, hardships and problems of everyday life also practical, and different uncertainties of this our time that anyone can experience in practice. Guido and Sonia are two different people with different goals equally. He, a widower and former cop (police officer who knows why it is not more) that thrives on work and feelings insecure but it shows he wanted to give some certainty and order to their lives (Filippo Timi), she (the beautiful Kseniya Rappoport), a love and a stable 'talent' in particular be able to obtain the money it takes to lead a life of luxury seems to have already come together in an absolutely non-random, as the film reveals towards the end. Hours and double double yellow truth for this sui generis in existential psychology background with a good cast of actors and a very original plot but at times may seem redundant because of the dynamics of a continuous succession of situations quite different from each other even emotionally. The film, which is characterized by a rhythm constantly subjected to changes that may seem excessive shows, overall, as a good test for rookie Capotondi, former advertising director and author of music videos (collaborations, among others, with Shunk Anansie, Spice Girls and Natalie Imbruglia). The double is now a feature film that seems to give good testimony of the now unquestionably and positively reborn in recent years, Italian cinema. Still more convincing is, moreover, the recitation of Filippo Timi (here, often, his eyes weary and disillusioned attitude), talented actor in the limelight a few years recently in another eye-catching good movie very Italian (Win) of that great period of the 'middle' of the history of Our cinema is Marco Bellocchio. To see.
John Graziano missing
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