From the website: http://marcominghetti.nova100.ilsole24ore.com/2009/03/kutiman-il-caso-di-unimpresa-creativa- per-caso.html , to date:
"To acquire fame do not need to be a character known; to become a musician does not need to know the secrets of the staff, to record an album there is also no longer need a recording studio. Just sifting through the web. But in this creative anarchy can also germinate the seed company focused on engineering staff.
Ophir Kutiel is a talented Israeli composer of 27 years, who signed with the rules of art Kutiman . Yet his site has seen a dramatic leap of access, eventually even out of order. In just seven days online Kutiman space has been visited by more than one million people only to hear the musical experiment of Kutiman. Instead of playing, Kutiman chose to arrange the recorded sounds of other players online on Youtube. So he composed seven songs without having written a single note. That is why his project is called "Through You , through you, through all that. It is not just a remix. Kutiman drew hundreds of samples of guitar, bass, drums, synthesizers, harps and even a cash register - all in the form of video. He then poured into one video each piece of video that plays a certain sound. The result is that each video as well as a melodic sequence, is also a series of scenes where the sound is performed each time by a different musician. The video is where staff have become like a visual instead of notes and sounds are displayed their authors. In fact, the welcome message is clear: "what you see is what you hear."
Kutiman becoming a musician who does not play, but creatively reuses the sounds of other musicians. From the young mother who sings a tune with the baby in her arms until the street musician or band in a pub. Can see new, impressive way to share user-generated content. There is only sharing the social management of content as it travels between the major online spaces. The growth in the shared content together with the presence of large centers encounter such as Youtube and Facebook allow to experiment with more creative ways of sharing, such as Kutiman. Users have already transformed from spectators in the content authors. Now go into a kind of orchestra opened online, without notice and without a score following the baton of a conductor. By sharing the common composition. The next step would be not only to apply the method of Kutiman other artistic genres, such as photography and painting - but allow each user to create mash-ups that create personal uninterrupted cycles of social participation and personal creation.
Therein lies the heart of the matter: not just fun. Kutiman can be considered another pioneer of the creative "Creative entrepreneurship", which reverses the traditional models. The creative process destroys the utility and heavy equipment antiquated organizational cages still the inspiration of an artist once encapsulated within a major label - to stay in the example Kutiman. Comes into play the dark side consists of the royalties, which could crush this kind of creative enterprise if it is not detached from the bonds of a legal system compatible with the spark of creativity and the nature of the web. The natural question emerges: the work of Kutiman be considered original or derived from other works? Perhaps the answer lies in this line of reasoning, close and go head to start with a new logic. The style of funk and indie Kutiman all'idealtipo is not congenial to the entrepreneur. However, the mash-up music for "Through You" exemplifies the creative entrepreneur's function by introducing a fundamental distinction: Kutiman not invest money capital but a cultural harvest in specific technical skills and driven by a vocation to the genius and share it online. The success of Kutiman requires a corresponding cost-effective solution that enhances this talent into a new business model, because the creative entrepreneur contributes to the cultural capital of the socially shared, as evidenced by the million hits to the video Kutiman in just seven days.
Kutiman spent three months in his room to roam on Youtube to find the pieces of his musical compositions, with no certainty about the final outcome. It 'the perfect example of radical instability and unpredictability of artistic activity. If, however, was focused view of the creative, uncontrollable vortex could emerge from this innovation not only of artistic ideas but also of economic models to implement those ideas. "
Ophir Kutiel is a talented Israeli composer of 27 years, who signed with the rules of art Kutiman . Yet his site has seen a dramatic leap of access, eventually even out of order. In just seven days online Kutiman space has been visited by more than one million people only to hear the musical experiment of Kutiman. Instead of playing, Kutiman chose to arrange the recorded sounds of other players online on Youtube. So he composed seven songs without having written a single note. That is why his project is called "Through You , through you, through all that. It is not just a remix. Kutiman drew hundreds of samples of guitar, bass, drums, synthesizers, harps and even a cash register - all in the form of video. He then poured into one video each piece of video that plays a certain sound. The result is that each video as well as a melodic sequence, is also a series of scenes where the sound is performed each time by a different musician. The video is where staff have become like a visual instead of notes and sounds are displayed their authors. In fact, the welcome message is clear: "what you see is what you hear."
Kutiman becoming a musician who does not play, but creatively reuses the sounds of other musicians. From the young mother who sings a tune with the baby in her arms until the street musician or band in a pub. Can see new, impressive way to share user-generated content. There is only sharing the social management of content as it travels between the major online spaces. The growth in the shared content together with the presence of large centers encounter such as Youtube and Facebook allow to experiment with more creative ways of sharing, such as Kutiman. Users have already transformed from spectators in the content authors. Now go into a kind of orchestra opened online, without notice and without a score following the baton of a conductor. By sharing the common composition. The next step would be not only to apply the method of Kutiman other artistic genres, such as photography and painting - but allow each user to create mash-ups that create personal uninterrupted cycles of social participation and personal creation.
Therein lies the heart of the matter: not just fun. Kutiman can be considered another pioneer of the creative "Creative entrepreneurship", which reverses the traditional models. The creative process destroys the utility and heavy equipment antiquated organizational cages still the inspiration of an artist once encapsulated within a major label - to stay in the example Kutiman. Comes into play the dark side consists of the royalties, which could crush this kind of creative enterprise if it is not detached from the bonds of a legal system compatible with the spark of creativity and the nature of the web. The natural question emerges: the work of Kutiman be considered original or derived from other works? Perhaps the answer lies in this line of reasoning, close and go head to start with a new logic. The style of funk and indie Kutiman all'idealtipo is not congenial to the entrepreneur. However, the mash-up music for "Through You" exemplifies the creative entrepreneur's function by introducing a fundamental distinction: Kutiman not invest money capital but a cultural harvest in specific technical skills and driven by a vocation to the genius and share it online. The success of Kutiman requires a corresponding cost-effective solution that enhances this talent into a new business model, because the creative entrepreneur contributes to the cultural capital of the socially shared, as evidenced by the million hits to the video Kutiman in just seven days.
Kutiman spent three months in his room to roam on Youtube to find the pieces of his musical compositions, with no certainty about the final outcome. It 'the perfect example of radical instability and unpredictability of artistic activity. If, however, was focused view of the creative, uncontrollable vortex could emerge from this innovation not only of artistic ideas but also of economic models to implement those ideas. "
